Cable Management for Beginners: Tips and Tricks for your Production Stage | Recording Arts Canada | Digital Arts College

Cable Management for Beginners: Tips and Tricks for your Production Stage

You are here

Feb

20

Cable Management for Beginners: Tips and Tricks for your Production Stage

Managing cable lines, while an entirely fundamental concept, is a step in production stage building that is often overlooked. Proper technique in cable management can enhance the appearance and safety of the event while differentiating an amateur production stage from a professional one.


Part 1: Floor Cable Management

There are two main forms of floor cable management: cable mats and tape tracks.

Tip: Use Cable Mats for High Foot Traffic and Outdoor Venues

Cable mats are an excellent way to maintain cleanliness in cable lines while preventing tripping hazards. Simply raise the lid of the cable mat and run your cable lines through the different tracks based on their type: audio, video, power or internet. High traffic areas require cable mats, as they are the safest and most secure way to manage your cables. Cable mats are perfect for outdoor events, as there is not often a way to secure tape at outdoor venues, and the mats are also resistant to harsh weather and rain.

Tip: Use Tacking In Low Traffic Areas

The proper tacking technique involves lining your cables neatly side by side on the floor, ensuring they run at straight 90° angles from the wall, and do not overlap. Once your cables are lined up properly, place small strips of gaffer’s tape, or “tacks” perpendicular across the cable line. Your first and last tacks should be placed against a wall or in an area where there is no longer foot traffic, to ensure that the entirety of your cable line is secured and not a potential hazard. Place tacks every 24’’-48’’. Tacks are ideal for backstage use or around tech tables, areas with generally low traffic and low risk of tripping.

Tip: Use Tapping Technique in Moderate Traffic Areas

Tape lines are required in areas with moderate amounts of traffic including back doorways or on stage. As with the tacking technique, place your cables down in a neat line, 90° from a wall, with no overlap, and tacks every 6”-12”. Afterward, begin running a long strip of gaffer’s tape from your first tack, following the cable line all the way to your last tack. Because you are running tape all along the length of the cable line, it is important that the line is straight from start to finish, otherwise, the taping won’t be secure and will look unclean. Depending on the width of the cable line you may need to run more than one tape line. To do this, simply place one tape line on one side of the cable bunch and then repeat this action on the other side of the cable bunch.

While taping and tacking methods are critical in the overall safety and presentation of an event, there are a few other tips and tricks that you can use in order to clean up the workspace and present yourself as a knowledgeable technician. It’s these small details that can make or break you in terms of efficiency and making a good impression when new to the industry.


Part 2: Overhead Cable Management

Tip: Secure Above Doorways

Secure cables above doorways or large entryways rather than across the floor. You can use gaffer's tape to place tacks along the trims of the entryway, tucking in the cable as much as possible. Note that this technique is only necessary for temporary installs and not permanent venue setups as they will often have overhead cable trays.

Tip: Split Gaffer’s Tape in Half

Rather than using the entire width of your role of  3” gaffer’s tape, split it in half. This will allow you to hide your cable lines more efficiently and make it less obvious that you are running cables over the doorway.

Tip: Make Sure Weight is Supported

Overhead cable lines may require far more tacks than if they were on the floor as they present a far greater risk and must work against gravity. While overhead cable lines offer a better aesthetic, they should not be used if there is no trim to support the weight, or if the cable line is too heavy. Usually, anything more than two XLR cables is considered to be too heavy for this technique.

Tip: Securing with Airwall Hangers

If your cables are being flown high enough, there may be an opportunity for you to use airwall hangers or other ceiling braces to hang your cables from. When using this method, place your cable securely against the brace or surface and pull the cable tight from its last point of origin to ensure your cables do not droop and add extra strain on your cable line.

From there, use electric tape to circle tape around both the cable and the brace or hanger you are securing it to. Depending on the weight of the cable line you may need to go around several times, it is usually recommended at least 4 times for a light cable line. Finish off securing the point of the cable line by creating a courtesy tab, a small end to the tape that can easily be grabbed and unwound by the dismantle and load out technicians. 

 


Part 3: Cable Management on the Equipment

Now that we’ve covered overhead cable management techniques, let’s take a look at cable management on the equipment itself.

There are two scenarios in which we need to concern ourselves when dealing with cable management: Equipment on a stand or pillar and equipment on a tech table or panel.

Scenario 1: Equipment on a Stand

In the field of live audio production, the most common pieces of equipment stands are speaker and microphone stands.

Tip: Securing to Speaker Stands

When securing to a speaker stand, grab the cables connected to the speaker and encircle them with electrical tape, securing them to the top of the stand or base of the speaker. When doing so, give the cables some slack so that they do not disconnect immediately if force is applied to the cable line. Repeat this process, moving down the speaker stand so that the cables run flush along the entire height of the stand. Remember to leave a courtesy tab for the dismantle technicians.

Tip: Securing Podiums & Mic Stands

As for the smaller stands, such as podiums or microphone stands, the process is much simpler. Leave a small pool of extra cabling at the base of the stand to allow the microphone or podium to be moved. Afterward, simply run the cable up the length of the stand and plug it into the microphone. Depending on the model of the stand, you may be able to wrap the cable around the stand, which will further secure the cable and make for a very clean presentation. It’s also worth noting that podiums only require a small amount of slack for minute adjustments, whereas live performance mics such as vocal microphones should have an extra 25-50’ of slack.

Scenario 2: Tech Tables & Panels

The second scenario in which we’re securing cables to equipment involves tech tables or panels.

Tip: Use Tablecloth and Skirt

When working with tech tables, neatly pool the cable under the table and run it up to its destination. It is ideal to use a tablecloth and skirting to hide the cable pool and secure the cable to the table using the skirting.

Ensure that there is enough slack for the cable to be moved around across the table, as both technicians and presenters often have to move the equipment slightly throughout the event. In addition, it is wise to consider using tech surround, or drape, to further isolate the tech table and hide cable mess.

Tip: Use a Dog House For Consoles

Using a dog house, a closeable cable tray that sits in front of a mixer in its case, can protect cabling from being ripped out of the audio console or damage. It also heavily increases cleanliness and floor space.


Final Thoughts

These cable management methods will not only expedite your install and dismantle procedures but also allow for a secure and clean work environment; a win-win for all. Cable management is an often ignored side of the industry that could give you a very distinctive edge in closing a future deal with a client.

The Record: Latest mentor contributions

10 May

Creating a Big Room Sound with Plugins

A lot of modern recording sessions don’t take place at big budget studios like they once had. These days, it is hardly a limitation any more, compared to when consumer recording interfaces first hit the market.

Read More
15 Apr

Evoking Emotions in Music: Rage

Rage is defined by the Cambridge Dictionary as extreme or violent anger. It is the result of stimulating a stress response in the body, whether it is a violent outburst or quietly seething anger.

Read More
08 Apr

Mixing Bass Guitar: Pro Tips

I recently shared some tips for sound engineers working with a bass guitar on how to adapt their tracking techniques to different playing styles.

Read More
03 Apr

Top 10 Reverb Plugins for Music Production

The use of reverb helps to create space and depth within a mix. It's an invaluable tool because it creates an environment for the vocalist/instrumentalist to live in. Your choice of reverb has a huge influence on the vibe and spatial chemistry of your track.

Read More
02 Apr

Tracking Bass Guitar: Tips to Improve Your Process

The bass guitar is easily one of the most versatile sonic instruments there is before you even get to the processing stage of a production.

Read More
27 Mar

Problem Areas When Equalizing Vocals

Mixing the lead vocal track is often considered the most difficult part of a production. It’s usually the absolute focus and forefront of the song and it can set the tone for the quality of the recording. A great vocal track can make an otherwise mediocre album pop and come to life.

Read More
20 Mar

Understanding Proximity Effect

One of the most important skills to learn as a tracking engineer is the fine art of microphone placement. Getting a great sound takes a lot more work than just dropping a mic in a room and pointing it at what you want to record.

Read More
12 Mar

Optimizing Your Room for Pro Vocals

There can be a lot of variables that shift around from session to session when it comes to pro vocal recordings. The microphone, preamp, position, and voice selection will all switch up depending on the aesthetic of the song.

Read More

Pages